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Thursday, October 2, 2025

When the Stars Aligned For Comedy





Time is a funny thing. I often felt in my youth that I was growing up in the wrong time, which had a lot to do with the movies I watched and the music I listened to. I grew up listening to the “oldies” radio station with my dad in his old pickup truck, which filled my head with Bo Diddley beats and Chuck Berry doublestops, Buddy Holly jangles and Little Richard’s howls. The Beatles were my Dad’s favorite band, but the oldies station would only play their early songs back then. I still heard the 80s songs that were current at the time, but my concept of good music was from Motown, the British Invasion, and pre-Vegas Elvis. 


Dad was also responsible for introducing me to The Three Stooges, which played on the local network on Sunday mornings which, for my money, was a fine substitute for church. There weren’t many my age who really dug the Stooges all that much, or for that matter anything else in black and white- but Moe, Larry, and Curly opened a door into a monochrome world that I accepted without question. Even if I had no friends to share the laughs with, there was an embarrassment of hilarious riches for me in the films of Abbott and Costello, the Marx Brothers, Our Gang, Buster Keaton, Charlie Chaplin, and Laurel and Hardy. There were stations that had room for the classic comedy material in their programming here and there, and I figured out which days I had to get up early to watch them. Often I’d be laughing into a pillow to muffle the sound, for fear of waking my family.




By extension, this opened my mind to the history of cinema more broadly, in ways that were perhaps alien to my peers. As a result, when I went to the video rental spot or surfed the channels on early cable, I became fluent in the classic Universal Monster flicks, tons of atomic age B-movies, films by Hitchcock, and eventually surrealist works by masters like Bunuel. I was always unapologetically a nerd about this stuff, and as I made my way to adulthood (if indeed I ever grew up, in the stricter sense) I found others who had similar tastes. Now, in an age where everything can be streamed or downloaded or purchased online with a quick two-day delivery, it seems like I might have been born at precisely the right time. The same technology also allows me to wax nostalgic online and record podcasts, finding still other friends and sympathetic audiences for my nerdery. Sirius XM has whole channels that will play music from the 50s and 60s, and my commute home can transport me back in time to the shotgun seat of my Dad’s pickup truck with a twist of the dial or a quick search on spotify. Perhaps best of all, finding any answer to any question, no matter how small or seemingly inconsequential, about the artists who made these songs, movies, and other media is readily searchable and discoverable online. Which leads me, circuitously and idiosyncratically, to the subject at hand: how the stars aligned for the biggest stars in early comedy.


In comedy, timing is everything. For a master class in comedic timing, one need only watch Abbott and Costello’s “Who's on First?” routine. The premise is ridiculous, and the punchlines are minimal- it’s the rhythm that really sells it. If you watch this routine, then watch any episode of Seinfeld, you’ll notice a similarity in this punctuated comedic timing between Jerry and George. Likewise, if you were to watch anyone attempt the classic baseball sketch who lacks the necessary skills that Bud and Lou innately had it wouldn’t be funny at all. It would fall completely flat. Through wit or pratfall, through cheap laughs or clever satire, comedy is hard- but if you can’t time the joke correctly, it’s impossible.


William “Bud” Abbott was born on October 2, 1897, and would go on to be considered the greatest straight man of all time. Comedy duos often rely on the tension and interplay between the one who plays it straight and the one who hams it up, and usually the straight man was considered the real talent- and was compensated accordingly. One might think, as I always did, that this was counter intuitive- isn’t the wackier guy really carrying the comedy? But, as it happens, you need both parts for the balance to work properly. Besides, it must be extremely difficult to avoid laughing or smiling in the role of the straight man, and Bud was the best in the biz. One prominent voice in comedy who thought so was none other than Julius “Groucho” Marx, who was born on the same day as Abbott seven years earlier. A pattern emerges- two of the greatest voices in classic comedy, born on the same day! For a comedy nerd such as myself, who also has leanings toward the mystical, the thread was too enticing to avoid tugging on. 


"Time flies like an arrow; fruit flies like a banana."



Naturally, I had to see if any Three Stooges birthdays fell on the same day, and while none did, Ted Healy’s birthday was the day before. Healy was the original leader of the trio, and they were billed as “Ted Healy and His Stooges”. The original lineup was just Moe and Shemp, with Larry added later. The boys were unfairly treated (and poorly paid) by Healy, which inspired them to break out on their own and forgo the straight man. Shemp, however, was so afraid of crossing Ted that he left the group. As such, needing a third member, Jerome “Curly” Howard became the beloved third Stooge. Incidentally, Larry Fine’s birthday was October 5. 


Although born in different years, it seems worth further digging when three of the best known comedy teams of all time share such a birthday cluster. The natural next step is to see if other patterns emerge- and wouldn’t you know it, they did! Lou Costello, Shemp Howard, and Chico Marx were all born in March (on the 3rd, the 11th, and the 22nd respectively). While the date range is slightly more spread out, it’s striking that all three comedy groups had this October to March dynamic in them. Thinking in terms of astrology, this would be the interplay between the signs of Libra and Pisces. Technically, this falls apart since Chico was born outside of Pisces, but his brother Zeppo wasn’t- his birthday was February 25. Zeppo was always stuck with smaller roles that were played much more straight than those of Harpo, Chico, and Groucho. After appearing in five of their movies, he left the group, and many Marx Brothers fans agree that despite his apparently minor contributions in the movies, they were never the same without him. Even though he wasn’t as outlandish as his brothers in the films, it is said that he was something of an understudy to Groucho. If, for some reason, Groucho couldn’t make it to a live show, Zeppo would throw on a greasepaint moustache and eyebrows and play the part well enough that no one knew the difference! In an odd twist to an already odd line of inquiry, regular cast member and foil to the antics of the Marxes Margaret Dumont was born in the sign of Libra and died in the sign of Pisces. 


Expanding the scope of birthdays to a full month or full astrological birth sign, we can go ahead and include Curly Howard, since he was born on October 22nd, the tail end of Libra. This means that the Libra-Pisces convergence between Healy and Shemp, which was the origin of the Three Stooges, once broken, gave way to a Libra-heavy team as Curly stepped in. When Curly’s health left him unable to continue making films, Shemp returned, restoring the balance. Shemp and Curly were about equally funny, but in very different ways. Perhaps a comparison of the two might unlock a secret about this cosmic comedy dynamic, and unveil the reason behind this alchemy that produces the finest farce. Or perhaps, like explaining a joke, it will simply render it a formula bereft of life and laughter. 


The truth is, I know much more about classic comedy than I do astrology. I’m loath to admit that I have never really had much interest in horoscopes and zodiac signs, which may mean I’m a bad occultist. I find it all very tedious, and not least for the reason that it’s all so complicated and involves a lot of math.


(Fortuitously enough, as I was putting this post together the local clowns here in Worcester put together a Clown Zodiac, which is very helpful and appropriate. How's THAT for timing? Go follow Mother Goose (@motherlucygoose) on Instagram to find your clown sign!)





I know enough about astrology to know that the sign you’re born under is only a part of your overall chart, and that the place of birth, the year, and the time of day all inform the broader picture of your personality and fate. That being the case, only the broadest conclusions could be pulled from what is admittedly an incredibly niche and weird focus of study. I have doubts in the extreme that anyone would be interested enough in doing a deeper dive into the astrological profiles of the comedy giants mentioned in this article, but if that person exists, I’d like to meet them! Beyond these caveats, it seems to me that a lot of astrology is somewhat open to interpretation. So I will do my best, with limited ability, to work with what I have… *


The zodiac has 12 signs, and the two signs in question here represent the 7th and 12. The earlier signs in the zodiac, ending with Virgo, are highly individualized and focus strictly on the personality while the last six illustrate the individual in relation to others. Libra is symbolized by scales, representing justice. Libras prefer to work in teams or partnerships, which seems significant for our purposes, and make great leaders and diplomats. We see this in Groucho, Abbott, and Ted Healy as they were all leaders in their own way. Likewise, Larry Fine was the glue that held the Stooges together, a bridge between the ornery Moe and the third Stooge, and remained in the act until the end. Curly was the team player who acted as a bridge for Shemp’s absence and eventual return. Meanwhile, Pisces is represented by two fish, and as a sign is much more creative and emotional in nature. Thinking in terms of emotion, one might consider that the funniest on-screen moments from Shemp or Lou Costello result from them becoming angry or fearful. According to astrology dot com, both signs share similarities and seek balance in their own ways. It seems like perhaps they do in ways that are complimentary, at least fleetingly, but often don’t last. We can consider that Bud and Lou eventually parted ways, and that Zeppo left his brothers a trio, and that Shemp only returned well after the danger of crossing Healy was moot. Perhaps there’s a kind of tension creatively that makes the timing work so well, that informs the routines and increases the laughter- or perhaps the answer isn’t to be found in the stars.


I often think of the comedy in these old films as being timeless, even if the jokes are dated and a bit corny. There's a cosmic thread of primordial funny running through in spite of the black and white set pieces and archaic lingo. Paradoxically, the timing is timeless. Groucho said that humor is logic gone mad, and here we are. He also said he wanted to live forever or die trying, and in a way he has. The influence of the planets may have something to do with the chemistry, which is, after all, just another name for alchemy. As discussed above, Bud and Lou were dynamic as a duo, balancing each other perfectly. It gets more complicated with the four Marx Brothers or the Three Stooges, but examining this chemistry is worthwhile there as well. Abbott and Costello were a pair of buddies, the Stooges were like the Three Musketeers, while the Marx Brothers had an altogether different formula.

Groucho, as the Libra Jester portrayed authority figures as a way of challenging the entire concept of authority. Chico was always paired with his silent partner Harpo. (Hey, I had to get a dumb joke in on that one. It's worth noting that Harpo's mime routine was picked up as an avatar for the "Greek God of Silence" Harpocrates by Discordians...) There's probably no better example of Groucho's parody of leadership than his role as Rufus T. Firefly, the leader of Freedonia in "Duck Soup". The wacky political satire received mixed reviews at its 1933 release, but saw a renaissance of recognition as a classic by the counterculture of the 60s and 70s. The Jester figure of Firefly is never far from my mind when real-life political buffoonery presents itself. Just a few days before writing this, I had occasion to paraphrase the character in regard to our current president... "He may look like an idiot, and talk like an idiot, but don't let that fool you-- he really is an idiot." This, of course, was a line at Chico's expense. Though Chico and Harpo were paired together and often in opposition to Groucho, some of the best and most quotable scenes in the films are those with Groucho and Chico. Whether it's Groucho trying to gain access to a speakeasy with Chico in his way, or the signing of a contract in "A Night at the Opera", the wisecracking Groucho finds that no quick turn of wit can compete fully with Chico's blissful lack of understanding. Humor IS logic gone mad, and there ain't no sanity clause after all.

The Three Stooges have a lot less of this dynamic in isolation to study. Moe was often the one directing the action, and Curly or Shemp (and later, Joe Besser or Curly Joe DeRita) was on the receiving end of the most slapstick moments. Larry is often left out of the discussion, as he is less often the main subject of our attention. He was great though, as as the Libra of the group was the fulcrum in the balancing act without which the whole thing falls apart. For our purposes here, we can analyze Larry with Shemp at the beginning of The Brideless Groom. Shemp and Larry both have an advantage in comedy simply for being funny looking. Shemp could be funny with just his hair- going from the slicked back look to hair covering his face was always laugh-worthy. Known as "The ugliest man in Hollywood", prior to joining back up with the boys for the short films, he was doing ok for himself with other comedy acts. He appeared alongside W. C. Fields, Fatty Arbuckle, and Abbott and Costello. Scenes of his were cut from Abbott and Costello's movies because they were too funny, and stealing the thunder of Bud and Lou. We see him at his best in The Brideless Groom, in which he's forced to marry as a condition of receiving an inheritance. The singing lesson at the beginning has Larry and Shemp both reacting in their own ways to terrible singing, and it's hilarious. I will contend that Shemp was just as funny as Curly again, and sadly we only get to see them together onscreen once- Curly appears as a sleeping passenger on a train in the 1947 short "Hold That Lion!"


It makes one wonder if there's a hidden Leo influence in the mix...

Perhaps there’s something about being born in the months when autumn lays the trees bare and something about having a birthday when those same trees are about to come back to life again- the death and rebirth cycle- that lends itself to great, timeless comedy. There may be other examples of this phenomena, if indeed the word applies, outside of comedy. There may be others still within the comedic but in a later era which have escaped me. This dynamic seems to exist in the aforementioned Our Gang films, as George McFarlane (Spanky) also shares a birthday with Groucho and Bud, while his co-star Billie Thomas (Buckwheat) was a Pisces. Perhaps I’m seeing patterns where they don’t exist, but I consider comedy to be a mystical and sacred thing. I can’t help but wonder…


It’s not as though I haven’t noticed other examples. Take the month of June, for instance, along with the great oldies music I grew up with- Paul McCartney, Brian Wilson, and Ray Davies all have birthdays within a few days of one another. McCartney and Wilson were even born in the same year! It’s amazing to think that some of the most well-remembered songwriters for three of the biggest bands in the 60s- The Beatles, the Beach Boys, and the Kinks- would have this in common. One might be interested to know that Elvis Presley and David Bowie also shared a birthday.

 

Here’s another one: horror legends Vincent Price and Christopher Lee shared the same birthday, while Peter Cushing’s birthday was the day before. It seems such an odd coincidence, and maybe that’s because it’s not. Or maybe, coincidence is entirely common and we all seek meaning where there is none. 





There are times, however, when one wants to chase these phantom flights of fancy if only for a laugh, a hit of nostalgia, or a passing moment of wonder at the machinery of the universe and the myriad ways it produces joy. Whatever time it is for you, I hope it was well spent as I indulged in this investigation.





*This piece has been on the back burner for literally years. I have had more than enough time to learn astrology but have failed to do so. Readers might be surprised how often something I’m writing has wallowed in the wings for years before finally being fleshed out…